How did I start working with mainstream artists
The first encounter with Lee Geon Yong
Members of Korean Fine Art Association
Themes I was interested in, in my 20s
Activities as a critic and situation in 90s
Moving to curator-centered exhibition
Power of Korean Fine Art association
How did the activities as a critic influenced my artistic works
Working in a gallery owned by a conglomerate
Shedding new light on figurative art
Exhibition for experimental art works
Problems of big events held by governments
The function of avant-garde art
A unique way of creating art works
Facebook, as a medium of my performance
Telling stories through art works
The reason of changing pen names
Future of performance art in Korea