Introducing artist and greeting
Experience at Françoise Livinec Gallery
Being discovered at Gwangju Art Fair
Contract with Françoise Livinec Gallery
The three exhibition spaces of Françoise Livinec Gallery
Exhibition at galleries in Paris
Father's dream and twin brother's name
Mother's dream and the name 'Un'
Becoming interested in painting
Studying theories and environment
Educational environment in childhood
Video art work 'Pure Form-Fountain'
Process of making 'Pure Form-Fountain'
Evaluation of 'Pure Form-Fountain'
Influence of childhood experiences on media work
Links to childhood experiences
Joining Ssamzie Space artists group
Ssamzie Space selection criteria
Ssamzie Space director's reasons
Activities after finishing Ssamzie Space program
Places after leaving Ssamzie Space
Tendency of painting in art college
Social environment when in college
Artistic activities in college
Differentiated from people art
Role of childhood memories on art
Scenery of the river mouth of Hwangsan-myeon
Adopting humanistic elements in paintings
Mudeungsan Mountain and media work
Round table at Gwangju Biennale
The theory of Hangeul creation
Korean alphabet and architecture
Presenting method of 'Forest, Breath, Rest, and House
Forms of art works for Biennale
Preparing for Gwangju Biennale and exhibition">
Korea not included in Asia section
Selected as a Korean representative artist
Travelling exhibition in Japan
The theory of one dot and one stroke'
'Drawing a Stroke on the Water'
'Work of playing, 'Drawing a Stroke on the Water''
Different format but the same content
Collaboration of physical actions and contingency
Repetitive actions and Dansaekwha
Images used in works of clouds
Participating in international exhibitions
Thoughts on exhibiting in overseas
Thoughts on getting recognition from overseas
Reason why started works of introspection
'Drawing a Stroke on the Water' as a future work''