Prominence of art in background
Link between wine and art trades
The changing Sydney gallery sector
Not a collector but a collection
Customers instead of collectors
The conversation whilst being painted
A lot of self-promotion, not much work
Not a scholar but a shopkeeper
Foreign content made the difference
Mixing Australian and international works
What was done defined by architecture
Clients much be richer that dealers
Lots of excitement in little boxes
Making Sydney more interesting
An opera in the Piazza of Covent Garden
Painters not by nature a Biennale person
The word made flesh, the idea made tangible
The art world and the real world
Buying New Guinea and African artifacts
Art world does almost nothing original
The Australia show at the Royal Academy
Initial reaction to the Australia Show
Visits from curators to gallery
Institutions dependent on their leader
Free drinks to encourage art students
Art schools like art galleries
The paper becomes more important
Using things as they were intended
Slipping into an historical context
Leading your mind back to somethiing profound
Making marks that change peoples' lives
Facing a fake, the moral dilemma
if you're going to produce a fake, do it right
Suing the expert for their opinion
Reviewing institutions not private galleries
Reviewers, blogs, Twitter, etc
Going to Naval Boarding School
Seeing Turandot at Covent Garden
The boring bits of owning a gallery